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Ritual, Landscape and Emotional Cartography
Itonje Søimer Guttormsen on Butterfly and the Cinema of Lived Experience
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Tallinn 2025 interview: Golshifteh Farahani – The Dragon Within
When Golshifteh Farahani walks into a room, she carries with her more than fame. She carries the weight of an entire cinematic tradition, the still-burning…
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Tallinn 2025 interview: Richard Hawkins & Sarah Cunningham
On a quiet Tallinn afternoon, just hours after the world premiere of Think of England at the 29th Tallinn Black Nights Festival, I sat down with director…
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Tallinn 2025 interview: Eeva Mägi (Mo Papa)
Before the winners of the 29th Tallinn Black Nights Film Festival were announced, I spoke with filmmaker Eeva Mägi, whose Mo Papa would later receive a Special…
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Tallinn 2025 interview: Hugo Diego Garcia & Lorenzo Bentivoglio (Vache Folle)
Milani Perera sat down with Hugo Diego Garcia and Lorenzo Bentivoglio at the 29th Tallinn Black Nights Film Festival, where their debut feature premiered in…
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Karlovy Vary 2025 review: Renovation (Gabrielė Urbonaitė)
Its intelligent and captivating use of visual storytelling, along with nuanced performances, elevates it beyond a simple rom-com Even the most meticulous plans can’t avoid…
Latest News
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Jeremy Chua shares his perspectives on producing films, shaping SGIFF, and why festivals remain vital as spaces of discovery, emphasising his core ideas for readers…
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Tamara Tatishvili on risk, artistic freedom, and the fragility of development support What allows a film to begin before the world has decided it matters?…
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In conversation with Kinopear, the new Tallinn Black Nights artistic director discusses bold cinema, audience strategy, geopolitical complexity and the pressures reshaping festival leadership.
KINO PEAR 